Cyril Anthony George Bertram (1897 - 1978) was a British novelist.
Charles Lewis Hind (1862-1927) was a British journalist, writer, editor, art critic, and art historian.
David A. Bailey, MBE (born 1961 in London), is a British Afro-Caribbean curator, photographer, writer and cultural facilitator, living and working in London and Nassau, The Bahamas.
David Lee (born 1953) is an outspoken, English, contemporary, art critic—condemning conceptual art in general and the Turner Prize in particular. He publishes and edits The Jackdaw magazine, critical of the contemporary art world.
Gavin Butt (* 1967) is a British art historian based at Goldsmiths, University of London.
Henry Bond, FHEA (born 13 June 1966) is an English writer, photographer and visual artist. In his Lacan at the Scene (Slavoj Žižek, series ed., Short Circuits, MIT Press, 2009), Bond made contributions to theoretical psychoanalysis and forensics.
Ian Jeffrey is an English writer and art historian. He is the author of a series of illustrated books on the history of photography. In 1988 he authored the supporting essay in the exhibition catalogue of the contemporary art exhibition Freeze. In 1998, he wrote an introductory essay accompanying Henry Bond's photobook The Cult of the Street.
Iwona Maria Blazwick OBE (born 14 October 1955) is an art critic, lecturer, director of the Whitechapel Art Gallery in London.
Julian Stallabrass is a British art historian, photographer and curator. A Marxist, he has written extensively on contemporary art (including internet art), photography and the history of twentieth century British art.
Kobena Mercer (born 1960) is a distinguished British art historian and writer on contemporary art and visual culture. His writing on Robert Mapplethorpe and Rotimi Fani-Kayode has been described as “among the most incisive (and delightfult to read) critiques of simple identity-based politics in the field of cultural studies.”
Louisa Buck is a British art critic and contemporary art correspondent for The Art Newspaper. She was a jurist for the 2005 Turner Prize.
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